Geo Clutch: Sewing for Me

Geometric Clutch by fromwholecloth.com

I did a little sewing for me recently. A clutch purse with geometric prints in indigo and white.

Geometric Clutch by fromwholecloth.com

Geometric Clutch by fromwholecloth.com

I realize a clutch is not the most practical of purses, but it’s a style I really like. And these geometric prints from Hawthorne Threads’ new Isometry Fabric Collection seemed like a fun way to indulge my fancy. I couldn’t choose just one of the prints, so I decided to feature a different print on each side of the bag (and the lining!), and I love the look of the different designs combined when the clutch is folded over. And, seriously, what’s not to love about indigo and white. The crisp combination says “summer!” to me. I guess the colors conjure up sailor’s suits and other nautical themes, but are just so much more modern in the geometric precision of this collection.

And if indigo doesn’t make you as giddy as it does me, the Isometry collection comes in an array of colors — including an amazing azalea. The background fabric in these photos is another Hawthorne Threads design, from their Zambezi fabric collection.

Geometric Clutch by fromwholecloth.com

And I dare say the gold metal zipper looks just fetching with these colors.
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Geometric Clutch by fromwholecloth.com

The arrival of this new fabric collection was like kismet for me. I’ve been searching for geometric prints for another project I’ve had my eye on for a while.  This clutch was the test run to see how I liked these new fabrics. They are actually digitally printed – just like paper! – and you can read more about the process on the Hawthorne Threads website. Very interesting.

I made this clutch big, both to accommodate a nice fold over and to allow it to fit my ipad and a few other goodies when unfolded. I also used fusible fleece interfacing between the layers to give it some nice thickness and padding.

Geometric Clutch by fromwholecloth.com

Sewing this clutch made me realize it’s been a long while since I’ve sewn something for myself. I definitely need to rectify this situation. Jeans and t-shirts move aside. I’ve got plans.

Geometric Clutch by fromwholecloth.com

 

So I made me some pants: Plinka Pants

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Sometimes inspiration strikes at the oddest moments.

For a while now I’ve wanted to return to a regular yoga practice and recently tried a new studio.  Settling in for class, I spied some fantastic pants a couple rows ahead of me. What grabbed my attention was how much they were not like typical yoga pants. They were a deep russet color, wide-legged and really flowy. They appeared to be made from linen or voile — something very lightweight. Definitely not your basic black fitted lycra yoga pant. And henceforth I became obsessed with the thought of soft, flowy yoga pants.

And, so, did I make myself yoga pants? Nope. I guess this is a case where the end product strayed a bit from the genesis of my inspiration. My pants are wide-legged, relaxed and linen, but not really yoga class attire. I’ve worn them out a few times now and I think they are a unique and stylish summer option. Especially helpful for covering mosquito-bitten legs, while keeping you cool on warm days.

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I don’t recall exactly the path that led me to these pants, but it started with scrolling through linen fabric choices online late one night, and then somehow stumbling onto some great patterns by designer Tina Givens. I purchased some patterns (more reveals coming soon!) and also downloaded the free pattern for her Plinka Pants.

These pants were my introduction to Tina Givens. I’m still wondering how I’d never heard of her. I love that her designs are so unfussy but still feminine. And they leave plenty of room for you to add your own design elements and embellishments. I’m giving myself way too much credit here, but I felt a certain kinship with her design vision. Scrolling through her pattern gallery I was struck by how similar some of her designs are to the items I sketch for myself or rip from magazines or simply imagine wearing.

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The sewing was easy but the instructions are pretty light (about one page of instruction!). I guess I have become spoiled with the high level of direction, photographs and diagrams included by most of the independent pattern makers I have sewn. It’s not that the techniques used in these pants were tricky, but I think it would definitely be helpful to have a good understanding of the techniques involved, as well as the basics of constructing clothes, so that you can follow along with the limited directions. This is not the kind of pattern that includes instruction on the individual techniques needed to complete the pattern. I couldn’t for the life of me understand the description for the final step of attaching the ruffle along the pant hem. I just attached it the way I typically add a ruffle trim, even though I think a different method was being described.

The only advice I would share about the pattern (and I think this might apply generally to TG patterns, since it was also relevant to the next TG pattern I tried) is that her style is very relaxed — there is nothing fitted about these items!! — and depending on your personal comfort level with additional fullness in your clothing (i.e., is this a romantic, flow-y look, or do I look like I’m smuggling something in my clothes?), you may want to reduce some of that fullness. I sewed a size small (her pattern sizes cover a wide range), altered the pattern to shorten the length to about mid-calf and reduced some of the fullness in the legs. Yep, this is the reduced fullness version! These are very wide-legged pants – kind of a ruffled hem version of a harem pant. As one of my friends remarked, “It looks like a skirt, until you start walking.”

I tried taking some photographs holding the pant legs out to their fullest width to make my point about the fullness, but the result was so ridiculous looking I just couldn’t post them. We are in the middle of toilet-training my daughter, and the way I looked in the photos reminded me of the way my daughter walks when she’s had an accident and wants her pants off ASAP. Actually this whole photography session was humorous because I was using the self-timer on my camera and running back and forth taking shots and posing, trying to accomplish it all within the 24 minute window I had while the kids watched a television show On Demand.  And any typical self-consciousness about having my picture taken was compounded by the fact I was paranoid my neighbors could watch my silly sprint-filled photo shoot on the porch.

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These pants are super comfortable. And the linen-rayon blend fabric I used is perfect. It provides a nice drape but doesn’t wrinkle the way pure linen does. And, I scored it on sale at Jo-Anns, which made these pants a super bargain considering the pattern was graciously provided for free on the Tina Givens website.

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I’m actually starting to re-think my statement that these pants wouldn’t work for yoga! They are so relaxed, not restrictive in the least. Or maybe I’ve been confusing them with pajamas — nice bed head, huh?

Happy start to summer!

Inappropriately Dressed: A True Story

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I always enjoy learning new things sewing-related. And not too long ago I learned something interesting about fabric. Quite interesting, indeed.

Apparently, fabric can be gay. Now, I never knew that fabric had any sort of sexual orientation. Gay, straight, or whatever. I just thought fabric was happy hanging out on the bolt until someone scooped it up and used it to make something even more fabulous.

Okay, in fairness, I must admit I’m not sure if it’s the fabric itself that is gay (born that way, perhaps?), or if the fabric becomes gay – perhaps, turned gay – during the process of being transformed into an item of clothing. Maybe during all the measuring, cutting, sewing, pressing, and so on, its latent gay tendencies are brought to the surface, no longer content to be closeted. Omg, perhaps that’s where the “in the closet” term comes from?! Fabric, in the form of clothing, is often kept in a closet…..

Despite the fact that I’m not entirely clear on the whole nature versus nurture thing, it’s reassuring to know that there is a sort of clothing police out there, roaming workplaces, astute enough to distinguish between straight and gay clothing, and bold enough to out the gay attire! And thankfully, so very thankfully, my mother was lucky enough to have worked in an establishment where a gaydar-gifted colleague alerted her to the proclivities of her dress.

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You might recall that a while back I wrote about my first foray into adult-sized sewing, and my experience sewing the Staple Dress pattern by April Rhodes. I made three Staple Dresses: one for myself and two as gifts for my sister and mother; and used different fabrics designed by Anna Maria Horner for each dress. I love the Staple Dress pattern, mostly for its simplicity. It’s a straight-forward design (bateau-style neckline, shirred waist, slightly A-lined bottom) and works for any figure. The uncluttered design allows the fabric to be the star of the show. I did not anticipate, however, just how much of a standout the fabric I selected for my mother’s dress would be.

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For my mother’s Staple Dress, I chose Anna Maria Horner’s Parenthetical in Berry, from her Field Study collection. The fabric is a linen/cotton blend. The dresses I made for myself and my sister were 100% cotton, and while I love my dress, the difference in the way my mother’s dress drapes makes me a bit envious. This fabric comes in two other colorways — dark grey and natural. All three are gorgeous, but I chose the berry color for my mother because I think it’s a color that looks great on her – especially with a bit of a tan!

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My mother proudly wore the dress to work, and, well, it got her some attention. She was confronted in the office and told she was dressed “inappropriately.” She asked what was inappropriate about her attire.

“It’s gay.”

Seriously. In fact the assertion was repeated, without explanation, a couple more times when my mother asked for clarification.

This from a so-called professional. Wow. This is wrong on so many levels. Whether we give him the benefit of the doubt and say his choice of words was sloppy, or believe his words evidence a larger prejudice and a disgusting lack of sensitivity, it still shocks me when people behave this way. It depresses me, too, because somehow this man thought his behavior was actually appropriate, while the woman wearing a birghtly-colored dress, stockings (I always feel like I’m from the 1940s when I say “stockings”), and closed-toe shoes — all in accordance with the office-attire rules — is inappropriate.

My mother no longer works at this establishment. It was a temporary assignment where, ironically, she had been tasked with restoring order to a work environment that the administration acknowledged had become too lax and disorganized and inefficient. My guess is that this man was being spiteful and mean as a passive-aggressive means of objecting to the new authority my mother was attempting to inject into the workplace. He was like a little child sassing off to his parents at the dinner table when really he’s mad and anxious about something else entirely. Child-like behavior, but not excusable.

I admit that of course it doesn’t feel good to have something you made be ridiculed, but this man seems so small-minded that I barely spent a moment being offended. The part that really gets me, though, is how the whole incident likely made my mother feel. To have your attire — the way you look — be criticized in front of others, even if that criticism is misplaced, is embarrassing. It’s hard not to feel like you have somehow done something wrong or to feel shamed. Public-shaming is the behavior of bullies.

Even more though, I think my mother was really proud, the way only a parent can feel, to be wearing something her child made just for her. She knew how excited I was about the dress, and she knows how much I love sewing. Wearing the dress, especially publicly, was a sign of her pride in my creation and her love for me. If I think about it, it has probably been well over 25 years since I brought home something I made for my mother — and back then it was probably some sort of classroom art project for Mother’s Day! And while I believe my parents were proud of me during my days of lawyering, it was a kind of abstract pride. Yes, they were proud that I worked hard and progressed up the career ladder, but there was nothing tangible to share with them from my work. (Hey, mom and dad, I brought you a 150-page loan agreement. How d’ya like that?! Cool, huh?) It makes me sad to think my mom was probably a bit excited to be wearing the dress, and feeling proud of me, and then some curmudgeon came along and pooped on the moment. I realize there is no point crying over hurt feelings, but this whole experience was just so unnecessary that it makes it all the more frustrating.

We’ve come to live in a world where decorum is too often frowned upon as stodgy, where stretch pants are more ubiquitous than jeans, and baseball hats are commonplace at dinner tables. I’m guilty of this myself. T-shirts and jeans have become my “mom uniform”. But I still love getting dressed up. And I truly appreciate my mother dressing up in my creation!

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I don’t know, maybe it’s me. Back in my office days, I wore a ton of black. It was just easier – especially considering I wore suits to work a lot of the time — and it’s hard to go wrong with black. But since I’ve started sewing and perusing fabric on a regular basis, I have a much greater appreciation for color. I’ve embraced color and prints in my wardrobe and my sewing. Perhaps my perspective has changed so much that I don’t recognize this particular fabric as crazy, as too bold, as “gay”? What do you think?

Sewing a Staple

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Check! That’s the sound of me proudly checking off one of the resolutions I made earlier this year — sew an adult-sized garment. I’ve done it three times now. Three dresses, all using the same pattern. One each for me, my sister and my mother.

When I made that resolution earlier this year, I did not have any particular pattern or garment in mind. I just felt like it was time to take the leap into something (literally) bigger than my usual child-sized projects. When I saw the The Staple Dress by April Rhodes popping up everywhere across the sewing blogosphere, I knew I’d found an ideal pattern for tackling my resolution.

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I made the first dress for myself (above). I didn’t make a muslin (go ahead and slap my rule-breaking wrist for that!), but rather cut right into the good stuff. I made my dress using Anna Maria Horner’s Fine Feathered in Denim from her Field Study collection. The fabric is quilting cotton but it softens with washing and I think the weight works really well for this dress.

Thankfully my decision to go without a muslin worked out just fine. I swear I wouldn’t go muslin-less for a more complicated pattern, but this pattern is very straight forward; no fancy tucks or seams or darts, and the loose cut is also very forgiving. I based my sizing off the measurements provided in the pattern, and the only alteration I made was to lower the waistline shirring a bit. I included the pockets on my dress.

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This is truly such a comfortable dress. It’s an easy on/off and not restrictive at all. And you can play around with the look and dress it up a bit with jewelry or accessories. I wore mine so much this summer. Partly because I like it so much, and partly because I was so excited to wear something I made.

For my sister’s dress, I used Anna Maria Horner’s Specimen in Struck (also from the Field Study collection). I’d just like to take a moment to congratulate myself on very good placement of the pattern for this print. High fives for me! Phew! It took me longer than usual to cut the fabric for this dress as I sweated the print placement. I realized that if the print was just a bit off-center it was going to look lopsided and sloppy. Thankfully it turned out just as I had hoped.

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I love this fabric even more than I thought I would. But I was nervous my sister wasn’t going to like it. She had only seen a photo of the fabric prior to receiving the dress, and I wasn’t sure if the photo had provided her with an appreciation for the size of the print and the background design. Yikes, what if she hates it and banishes the dress to the back of her closet? We tend to have different preferences in clothes, so I started to think that if I liked the print, it meant she would hate it.  Halfway through sewing the dress I pretty much convinced myself she was never going to wear it.

It turns out she loves it!

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And I think it looks great on her!

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Are you wondering what happened to dress number 3? Well, apparently the dress I made for my mother is  a bit of a trouble maker. More on that soon!